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  <title>I never knew</title>
  <subtitle>Autodidact. Generalist. Synthesist. Writes Sentiers, a carefully curated weekly newsletter on the futures of technology, society, and culture.</subtitle>
  <link href="https://i.never.nu/feed.xml" rel="self"/>
  <link href="https://i.never.nu/"/>
  <updated>2026-04-29T14:30:00Z</updated>
  <id>https://i.never.nu/</id>
  <author><name>Patrick Tanguay</name></author>
  
  <entry>
    <title>MUTEK Forum 2026 speakers</title>
    <link href="https://i.never.nu/mutek-forum-speakers-2026/"/>
    <updated>2026-04-29T14:30:00Z</updated>
    <id>https://i.never.nu/mutek-forum-speakers-2026/</id>
    <content type="html">&lt;p&gt;I love MUTEK Forum. They just &lt;a href=&quot;https://forum.mutek.org/en/welcome-to-mutek-forum&quot;&gt;launched the partial 2026 speaker lineup&lt;/a&gt;, but didn’t include links and bios, so I asked Claude to use the context of the forum and the list, to give me 1-2 links for each speaker. I did a super quick check of every links, replaced one, and posted here. So be warned, I don’t think there are errors, but they might not be the &lt;em&gt;best&lt;/em&gt; links for each.&lt;/p&gt;
&lt;h2&gt;Claude’s research&lt;/h2&gt;
&lt;p&gt;Here’s the full speaker list with 1–2 recommended links per speaker. Note that Chloé Gatignol and Malte Leander have limited public web presences — I’ve noted the best available options for each.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Caroline Monnet&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://carolinemonnet.ca/&quot;&gt;carolinemonnet.ca&lt;/a&gt; — Official site with her full body of work across film, sculpture, and installation&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Caroline_Monnet&quot;&gt;Wikipedia&lt;/a&gt; — Solid overview of her career and awards&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Chloé Gatignol — Technopol&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://www.technopol.net/nous-contacter/&quot;&gt;technopol.net&lt;/a&gt; — Technopol’s site, where she coordinates Courts Circuits and the Paris Electronic Week &lt;em&gt;(No substantial individual profile page available publicly)&lt;/em&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Claire L. Evans&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://clairelevans.com/&quot;&gt;clairelevans.com&lt;/a&gt; — Her own site covers everything: YACHT, &lt;em&gt;Broad Band&lt;/em&gt;, &lt;em&gt;A Sexual History of the Internet&lt;/em&gt;, and the &lt;em&gt;Wild Information&lt;/em&gt; newsletter&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Claire_L._Evans&quot;&gt;Wikipedia&lt;/a&gt; — Clean career summary&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Elsewhere in India ft. Murthovic &amp;amp; Thiruda&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://www.elsewhere-india.com/performance&quot;&gt;elsewhere-india.com&lt;/a&gt; — Project site with documentation and press&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://rollingstoneindia.com/audio-visual-artists-murthovic-and-thiruda-unveil-new-project-elsewhere-in-india/&quot;&gt;Rolling Stone India profile&lt;/a&gt; — Good origin story for the project, covering how Carnatic music, gaming engines, and decolonial themes intersect&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Evicshen (Victoria Shen)&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://evicshen.com/&quot;&gt;evicshen.com&lt;/a&gt; — Official site with bio, residencies, and performance history&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.grammy.com/news/noise-experimentalist-evicshen-talks-first-lp-hair-birth-crafting-xenomorph-face-masks&quot;&gt;Grammy.com interview&lt;/a&gt; — Accessible profile covering her debut LP and instrument-building practice&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Fait Poms — Faited Systems&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://faited.systems/&quot;&gt;faited.systems&lt;/a&gt; — Her company site&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.prosoundweb.com/detailing-the-process-more-on-jamaican-sound-system-culture-with-loudspeaker-designer-fait-poms/&quot;&gt;ProSoundWeb profile/interview&lt;/a&gt; — In-depth piece on her Quadra subwoofer design process and the Envelope Sound System collective&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Honeydrip — MORPH&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://djmag.com/features/get-know-honeydrip-interview&quot;&gt;DJ Mag profile&lt;/a&gt; — Best single introduction to Tiana McLaughlan’s sound and background&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://panm360.com/en/interviews-panm360/honeydrips-dub-detour-at-the-sat/&quot;&gt;PAN M 360 interview&lt;/a&gt; — Covers the MORPH collective and her live setup in detail&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Malte Leander — World Creation Studio&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://worldcreation.studio/about/&quot;&gt;worldcreation.studio&lt;/a&gt; — World Creation Studio’s about page covers the organisation’s mandate and community&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://malteleander.com/&quot;&gt;malteleander.com&lt;/a&gt; — His personal site (sparse, but confirms his identity as an artist associated with the studio)&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Margaret McGuffin — Music Publishers Canada&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://www.musicpublishing.ca/about&quot;&gt;musicpublishing.ca/about&lt;/a&gt; — MPC’s official site&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://ca.billboard.com/business/publishing/ai-copyright-canada&quot;&gt;Billboard Canada interview&lt;/a&gt; — Focuses specifically on her AI and copyright positions, directly relevant to the MUTEK Forum context&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Mark Campbell — Afrosonic Innovation Lab&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://afrosonicinnovationlab.com/Dr-Mark-V-Campbell-Dj-Curator-and-Lab-Founder&quot;&gt;afrosonicinnovationlab.com&lt;/a&gt; — Lab site with his full profile&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://utsc.utoronto.ca/news-events/breaking-research/afrosonic-innovation-lab-provides-thriving-space-music-african-diaspora&quot;&gt;U of T Scarborough news feature&lt;/a&gt; — Good overview of the Lab’s mission and his background&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Mindy Seu&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://mindyseu.com/&quot;&gt;mindyseu.com&lt;/a&gt; — Her own site is the best single resource, covering the &lt;em&gt;Cyberfeminism Index&lt;/em&gt;, &lt;em&gt;A Sexual History of the Internet&lt;/em&gt;, and current projects&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Mindy_Seu&quot;&gt;Wikipedia&lt;/a&gt; — Clean career summary for quick reference&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;New Models (Caroline Busta &amp;amp; Lil Internet)&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://newmodels.io/&quot;&gt;newmodels.io&lt;/a&gt; — The platform itself&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.artnews.com/art-news/artists/aggregate-caroline-busta-julian-wadsworth-new-models-art-tech-answer-drudge-report-10949/&quot;&gt;ARTnews founding interview&lt;/a&gt; — Good origin story explaining their intent and the media landscape they were responding to&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Paloma Dawkins — Apocablyss&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://palomadawkins.com/&quot;&gt;palomadawkins.com&lt;/a&gt; — Full portfolio site&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://queerrooms.ca/2022/10/19/interview-with-paloma-dawkins/&quot;&gt;Queer Rooms interview&lt;/a&gt; — Covers her philosophy around technology, nature, and the Apocablyss universe&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Safia Siad&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;s&gt;&lt;a href=&quot;https://www.safiasiad.com/&quot;&gt;safiasiad.com&lt;/a&gt; — Her site (minimal, but confirms her practice as curator, DJ, and scholar)&lt;/s&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.concordia.ca/profiles/students/graduate/safia-siad.html&quot;&gt;Safia Siad - Concordia University&lt;/a&gt;. “An independent curator, scholar, and DJ with a practice centered in deep listening, unlearning, fugitive collaboration, and opaque movement(s).”&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.gallerytpw.ca/tpwfellows-2025-26&quot;&gt;Gallery TPW Fellows page&lt;/a&gt; — Current context, including her role at the Afrosonic Innovation Lab&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Salima Punjani&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://www.salimapunjani.com/about&quot;&gt;salimapunjani.com/about&lt;/a&gt; — Her own site, with project descriptions&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.ada-x.org/en/participants/salima-punjani/&quot;&gt;Ada X profile&lt;/a&gt; — Covers multiple works and her engagement with disability justice and biodata&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Tati au Miel&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://tatiaumiel.bandcamp.com/&quot;&gt;tatiaumiel.bandcamp.com&lt;/a&gt; — Music and discography&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://mutek.org/en/artists/tati-au-miel&quot;&gt;MUTEK artist page&lt;/a&gt; — Useful bio covering her practice across sound, fashion, and performance&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Tracy Renée Rector — 4th World Media&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://4thworldmedia.org/about-us&quot;&gt;4thworldmedia.org/about-us&lt;/a&gt; — Organisation site&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://www.firelightmedia.tv/filmmakers/tracy-rector&quot;&gt;Firelight Media filmmaker profile&lt;/a&gt; — Comprehensive career overview&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;William Russell — MONOM&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://www.monomsound.com/aboutmonom&quot;&gt;monomsound.com/aboutmonom&lt;/a&gt; — Studio site explaining the 4DSOUND system and residency programme&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://clotmag.com/interviews/monom-studios-exploring-the-possibilities-of-spatial-sound-as-an-instrument-new-medium&quot;&gt;CLOT Magazine interview&lt;/a&gt; — Accessible profile of Russell and MONOM’s origins and philosophy&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Zach Blas&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;https://zachblas.info/bio/&quot;&gt;zachblas.info/bio&lt;/a&gt; — His own site, with the most complete account of his practice&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Zach_Blas&quot;&gt;Wikipedia&lt;/a&gt; — Good summary including the &lt;em&gt;Facial Weaponization Suite&lt;/em&gt; and Silicon Valley trilogy&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Let me charge that up for you</title>
    <link href="https://i.never.nu/let-me-charge-that-up-for-you/"/>
    <updated>2026-02-05T00:00:00Z</updated>
    <id>https://i.never.nu/let-me-charge-that-up-for-you/</id>
    <content type="html">&lt;p&gt;I don’t know if you’ve noticed, but we are always charging our electronics, some days feel like we’re working for them, not the other way around. Granted, one could hardly have a more “first world problem” than this. It means I have too many electronic thingamaggigs. Still, most of our things drain batteries &lt;em&gt;fast&lt;/em&gt; and we’re pluggin them in left ant right.&lt;/p&gt;
&lt;p&gt;Around here we don’t do much grownup gift exchanging, but this past Christmas I did get two new things, yes electronics again. A small scale to weigh my coffee grains properly, and a book light that clips to the cover/some bunch of pages. Yes, mid-life first world right there. They don’t do anything like a smartphone or laptop does, they’re not as advanced as my wireless earbuds. Simple single purpose devices. But! Their batteries last &lt;em&gt;forever&lt;/em&gt;! I use the scale every day and the light most days, and I haven’t charged either one since opening the presents.&lt;/p&gt;
&lt;p&gt;There are, again, &lt;a href=&quot;https://www.dazeddigital.com/life-culture/article/69449/1/is-2026-the-year-of-analogue-tiktok-trend-social-media-offline&quot;&gt;various posts&lt;/a&gt; about &lt;a href=&quot;https://www.protein.xyz/reset-to-real/&quot;&gt;going analog&lt;/a&gt;. There’s been a mini trend for dumb phones, but here’s what I’d like; just a more restrained choice of electronics. Not as smart, not doing as many things, just enough, and that last a while on batteries. I don’t have any big theory, I’d just like to have stuff that doesn’t power off all the time. ¯&#92;_(ツ)_/¯&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On generalist models</title>
    <link href="https://i.never.nu/on-generalist-models/"/>
    <updated>2025-04-10T00:00:00Z</updated>
    <id>https://i.never.nu/on-generalist-models/</id>
    <content type="html">&lt;p&gt;I’m not sure if I agree, but it’s an intriguing take, and I’ve been saying that the main question for the near and medium future of AI is where we are in the &lt;a href=&quot;https://en.m.wikipedia.org/wiki/Sigmoid_function&quot;&gt;s-curve&lt;/a&gt;, where in the steep part? The plateau will change a lot of things, including, I think, the reduced importance / influence of frontier models.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Many people, myself included, didn’t try to build a product around a language model because during the time you would work on a business-specific dataset, a larger generalist model will be released that will be as good for your business tasks as your smaller specialized model.&lt;/p&gt;
&lt;p&gt;The disappointing releases of both GPT-4.5 and Llama 4 have shown that if you don’t train a model to reason with reinforcement learning, increasing its size no longer provides benefits.&lt;/p&gt;
&lt;p&gt;Reinforcement learning is limited only to domains where a reward can be assigned to the generation result. Until recently, these domains were math, logic, and code. Recently, these domains have also included factual question answering, where, to find an answer, the model must learn to execute several searches. This is how these “deep search” models have likely been trained.&lt;/p&gt;
&lt;p&gt;If your business idea isn’t in these domains, now is the time to start building your business-specific dataset. The potential increase in generalist models’ skills will no longer be a threat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;figure class=&quot;wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter&quot;&gt;&lt;div class=&quot;wp-block-embed__wrapper&quot;&gt;https://twitter.com/burkov/status/1908961952141091196&lt;/div&gt;&lt;/figure&gt;
&lt;p&gt;Via &lt;a href=&quot;https://simonwillison.net/2025/Apr/6/andriy-burkov/#atom-everything&quot;&gt;Simon Willison&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Technate of America</title>
    <link href="https://i.never.nu/the-technate-of-america/"/>
    <updated>2025-04-10T00:00:00Z</updated>
    <id>https://i.never.nu/the-technate-of-america/</id>
    <content type="html">&lt;p&gt;I haven’t read the whole thing, it’s too loony and bonkers, I just breezed. But I wanted to keep a note somewhere of some of the nuggets to be found in there, considering some of the parallels with The Felon’s actions today. &lt;a href=&quot;https://www.cbc.ca/newsinteractives/features/joshua-haldeman-elon-musk-saskatchewan-tech-utopian-conspiracist&quot;&gt;The Canadian roots of Elon Musk’s conspiracist grandpa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Around that time, Howard Scott — a 6’5” man with broad shoulders and a magnetic personality — began delivering fiery lectures across Western Canada. The New York-based engineer and political visionary was the leader of Technocracy Inc., an organization promoting his plan for an economy run by experts, not politicians.&lt;/p&gt;
&lt;p&gt;“Politics is the natural approach of morons,” Scott said during a December 1935 speech, according to the Regina Leader-Post. “Socialist, communist, fascist, liberal, conservative, Republican or Democrat — they all stink alike.”&lt;/p&gt;
&lt;p&gt;The movement began in the United States in the 1930s. By 1940, it was sweeping across Western Canada. Technocrats were known for wearing identical grey uniforms and saluting one another in what The Daily Province called “Technocrat fashion — right hand raised smartly to eye-level.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Over his lifetime, Haldeman would lead two Canadian political parties (one of which he founded), campaign against Canadian prime ministers William Lyon Mackenzie King and John Diefenbaker, write a book defending South Africa’s system of apartheid and spend years flying and driving across the African wilderness with his family — hunting for the Lost City of the Kalahari.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;He wrote that since his departure, the organization had begun pushing for the U.S. to take over Canada and Greenland “either by purchase, negotiation or by force of arms” – a position advocated by Howard Scott, who argued for isolationism and a strong continental defence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Haldeman warned that Quebec and what is now Mexico were being targeted in particular. He quoted Scott as arguing “that these alien cultures on the continent of North America be annihilated. Assimilation is out of the question.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;figure class=&quot;wp-block-image size-large&quot;&gt;&lt;a href=&quot;https://i.never.nu/uploads/2025/04/Technate_of_America.avif&quot;&gt;&lt;img src=&quot;https://i.never.nu/uploads/2025/04/Technate_of_America-700x478.jpg&quot; alt=&quot;&quot; class=&quot;wp-image-18570&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;
</content>
  </entry>
  
  <entry>
    <title>Digital Sovereignty</title>
    <link href="https://i.never.nu/digital-sovereignty/"/>
    <updated>2025-03-10T00:00:00Z</updated>
    <id>https://i.never.nu/digital-sovereignty/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&quot;https://berjon.com/digital-sovereignty/&quot;&gt;Un article dense et fouillé par Robin Berjon&lt;/a&gt; qui permet de donner un cadre de réflexion sur la souveraineté numérique. Mon unique souci est que c’est un cadre de pensée qui est profondément ancrée sur les grands systèmes, qu’ils soient de gouvernement et/ou de compagnies. Je suis plutôt dans la recherche d’une recréation des communs, d’un véritable espace public (comme la bibliothèque, les chemins de randonnée, la place du marché, etc) re/lié par une forme d’indépendence très locale. Je peux donner 200 yens à mon enfant de main à main pour qu’il puisse acheter un daifuku à manger. Pas de traçabilité. Pas d’identifications. Une grande simplicité locale et une multitude de fournisseurs possibles. Je veux pouvoir héberger mon serveur Web, mail, etc pour moi et des amis à la maison, sans avoir à passer par de grosses entreprises et de gros centre de données capturant tout le flux. La naïveté est parfois un bon cadre pour trouver des solutions utiles.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://www.la-grange.net/2025/03/01/jimbocho&quot;&gt;Karl Dubost&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Fireplace externalities</title>
    <link href="https://i.never.nu/fireplace-externalities/"/>
    <updated>2024-12-27T00:00:00Z</updated>
    <id>https://i.never.nu/fireplace-externalities/</id>
    <content type="html">&lt;p&gt;Driving back from family travels for the holidays, two things happened on the way, which I thought connected in a useful way.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;There was “dry smog” over Montréal, caused in good part by all the fireplaces burning wood to have nice holiday fires going for Christmas the day before.&lt;/li&gt;
&lt;li&gt;On the radio, a short report on the popularity of fireplace videos on YouTube and Netflix.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;When critiquing technology, we often talk about externalities and second order consequences. Dumping your electronics—or, often, even sending them to be recycled—means they eventually end up in landfills or somewhere in the global south, polluting their own lands and contaminating workers with deadly fumes.&lt;/p&gt;
&lt;p&gt;Clothing, toys and much of everything, once made locally to the global north, where at least citizens might want to control working conditions, are made elsewhere, often in conditions we wouldn’t accept for our own citizens. Pollution regulations is nonexistent or vastly insufficient, or easily bypassed.&lt;/p&gt;
&lt;p&gt;But all of these externalities are somewhere else, possibly unseen when they were made near you, now completely out of sight.&lt;/p&gt;
&lt;p&gt;All of this to say that I thought the fireplaces were a nice, clear, easy to cite example of transferring externalities from your own sky to someone else’s. Burn your own real fireplace, you might have undesired smoke inside and will definitely send the rest outside, contributing to bad air conditions. Switch to Netflix, you get no odour, no smoke inside or out, and no smog. Somewhere else though, are massive servers guzzling water from the local aquifer, generating noise, and in some cases being powered by fossil fuels polluting yet another place, the region where the electricity is generated.&lt;/p&gt;
&lt;p&gt;When you look at a holiday fireplace, there is smoke somewhere. Over your own head, or someone else’s.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Personal foundational texts</title>
    <link href="https://i.never.nu/personal-foundational-texts/"/>
    <updated>2024-12-14T00:00:00Z</updated>
    <id>https://i.never.nu/personal-foundational-texts/</id>
    <content type="html">&lt;p&gt;This hex (tweet) circulated a bit over the last few weeks.&lt;/p&gt;
&lt;figure class=&quot;wp-block-embed is-type-rich is-provider-bluesky-embed wp-block-embed-bluesky-embed&quot;&gt;&lt;div class=&quot;wp-block-embed__wrapper&quot;&gt;https://bsky.app/profile/karenattiah.bsky.social/post/3ld2et5ighs24&lt;/div&gt;&lt;/figure&gt;
&lt;p&gt;I don’t really have an “official” list of “personal foundational texts,” especially not books I reread, there are so many things to read, I tend to not reread anything. Except younger, where I reread &lt;em&gt;Tintin&lt;/em&gt; and &lt;em&gt;Spirou&lt;/em&gt; a few times.&lt;/p&gt;
&lt;p&gt;In lieu of specific title, what I always come back to is a kind of healthy obsession for quirky scientists and brainy people in general. I loved the two &lt;em&gt;bandes dessinées&lt;/em&gt; above, but my favourite characters weren’t the ones in the titles, they were &lt;a href=&quot;https://en.wikipedia.org/wiki/Professor_Calculus&quot;&gt;Professeur Tournesol&lt;/a&gt; and the count, &lt;a href=&quot;https://fr.m.wikipedia.org/wiki/Pac%C3%B4me_de_Champignac&quot;&gt;Pacôme de Champignac&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A couple of years ago, reading &lt;a href=&quot;https://www.noemamag.com/back-to-the-victorian-future/&quot;&gt;Back To The Victorian Future&lt;/a&gt;, I wrote this in &lt;a href=&quot;https://sentiers.media/&quot;&gt;&lt;em&gt;Sentiers&lt;/em&gt;&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Finally, Morus also mentions Tesla as a variation on virtue, with “the inventor as an outsider who had no interest in the mundane world around him, a dreamer ‘who thinks too much’ and wanted ‘more than anything else to be left alone.’” And made me think of all the quirky and / or mad inventors I’ve loved in fiction, Professeur Tournesol, Pacôme de Champignac (and &lt;a href=&quot;https://fr.wikipedia.org/wiki/Zorglub&quot;&gt;Zorglub&lt;/a&gt;), even &lt;a href=&quot;https://en.m.wikipedia.org/wiki/Doctor_Doom&quot;&gt;Doctor Doom&lt;/a&gt; and a number of characters on this list of &lt;a href=&quot;https://en.wikipedia.org/wiki/List_of_fictional_scientists_and_engineers&quot;&gt;fictional scientists and engineers&lt;/a&gt;. I’ve always assumed I was recognizing fellow nerds, but now I’m wondering how it relates with these other archetypes.&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Woven into the fabric of the story were assumptions about the relationship between personal virtue, technology and the road to a better future that were deeply ingrained in Victorian culture. For the Victorians, the future was — or could be — utopia, and individual personal virtue was instrumental in producing a collective virtuous future. […]&lt;/p&gt;
&lt;p&gt;But Smiles was adamant that biographies of great men offered “illustrious examples of the power of self-help, of patient purpose, resolute working and steadfast integrity, issuing in the formation of truly noble and manly character.” […]&lt;/p&gt;
&lt;p&gt;They demonstrated “that it is not the man of the greatest natural vigor and capacity who achieves the highest results, but he who employs his powers with the greatest industry and the most carefully disciplined skill — the skill that comes by labor, application and experience.” […]&lt;/p&gt;
&lt;p&gt;“When we subscribe to this paradigm about how — and by whom — the future is made, we’re also relinquishing control over that future.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’d also add Sherlock Holmes and the more recent, very heavily inspired by Holmes, &lt;a href=&quot;https://en.m.wikipedia.org/wiki/Aloysius_Pendergast&quot;&gt;Aloysius Pendergast&lt;/a&gt;. Both detectives of sorts but with a very scientific mind and acerbic wit.&lt;/p&gt;
&lt;p&gt;Curiosity, an eye for science, and a wide array of interests. The books they are featured in might not necessarily be a “personal canon,” but they definitely seem to have influenced me. Or of course, I was drawn to them because we “think the same way.”&lt;/p&gt;
&lt;p&gt;The other oeuvre I immediately think of in this context, is all of &lt;a href=&quot;https://en.m.wikipedia.org/wiki/William_Gibson&quot;&gt;William Gibson&lt;/a&gt;’s writing. Here are two quotes from him, you’ll easily see the connection.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Some speculative writers are architects: they build orderly worlds. But Gibson has a collagist’s mind. He has depicted himself as “burrowing from surface to previously unconnected surface.” His language connects contemporary jargon, with its tactical-technological inflections, to modern states of anxiety and desire.&lt;br /&gt;
—&lt;a href=&quot;https://www.newyorker.com/magazine/2019/12/16/how-william-gibson-keeps-his-science-fiction-real#:~:text=Gibson%20is%20now%20seventy%2Done.%20Bald%20and%20skinny%2C%20six%20feet%20five%20but%20for%20a%20slight%20stoop%2C%20he%20dresses%20almost%20exclusively%20in%20a%20mixture%20of%20futuristic%20techwear%20and%20mid%2Dtwentieth%2Dcentury%20American%20clothing%20painstakingly%20reproduced%20by%20companies%20in%20Japan.%20It%20was%20late%20on%20a%20gray%20afternoon%3B%20we%20sat%20at%20the%20bar%20of%20a%20cozy%20bistro%E2%80%94warm%20wood%2C%20zinc%20bar%2C%20brass%20fixtures%E2%80%94while%20Gibson%2C%20in%20his%20slow%2C%20quiet%2C%20wowed%2Dout%2C%20distantly%20Southern%20drawl%2C%20described%20the%20work%20of%20keeping%20up%20with%20the%20present.&quot;&gt;How William Gibson Keeps His Science Fiction Real&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;“Gibson’s writing is, on the most basic level, a testament to this obsession with the bizarre and the disturbing: he takes these random, abandoned fragments of our shattered society and fuses them together into a strange and beautiful mosaic of words,” Wershler-Henry writes. “The resulting gestalt, though, is more just than an artistic curiosity.”&lt;br /&gt;
—&lt;a href=&quot;https://www.goodreads.com/book/show/18708150-conversations-with-william-gibson&quot;&gt;Conversations with William Gibson&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Machines et esclaves</title>
    <link href="https://i.never.nu/machines-et-esclaves/"/>
    <updated>2023-10-12T00:00:00Z</updated>
    <id>https://i.never.nu/machines-et-esclaves/</id>
    <content type="html">&lt;p&gt;Comme bien des montréalais depuis quelques années, des travaux sont en cours sur notre rue depuis deux semaines. Aqueducs, conduites d’eau contenant du plomb, remplacement de ci et de ça, la totale.&lt;/p&gt;
&lt;p&gt;Ce matin un camion avec tuyau articulé mêne un bruit d’enfer en pompant ou injectant quelque chose au fond d’un trou, je n’ai pas investigué. En revenant à la maison tantôt, autre camion au coin de la rue, celui-ci est en train de livrer un conteneur, probablement une génératrice pour alimenter certains équipements ou je ne sais trop.&lt;/p&gt;
&lt;p&gt;Un petit moment Lessard/Jancovici s’en suit. &lt;a href=&quot;https://twitter.com/martinlessard&quot;&gt;Lessard pour Martin&lt;/a&gt;, qui informe régulièrement notre groupe d’amis sur les enjeux complexes de l’énergie et des changements climatiques, Jancovici pour &lt;a href=&quot;https://fr.m.wikipedia.org/wiki/Jean-Marc_Jancovici&quot;&gt;Jean-Marc Jancovici&lt;/a&gt; dont j’ai tout récemment terminé le superbe, indispensable, et un peu pas mal déprimant &lt;em&gt;&lt;a href=&quot;https://jancovici.com/publications-et-co/livres/le-monde-sans-fin/&quot;&gt;Le monde sans fin&lt;/a&gt;&lt;/em&gt; (brillamment illustré par Christophe Blain).&lt;/p&gt;
&lt;p&gt;Le premier moment c’est d’entendre ces engins et se demander comment on peut produire des machines si bruyantes pour travailler, entre autre, dans des lieux habités et se demander pourquoi le tout n’est pas électrique. Le moment L/J, c’est quand le moteur devient une machine à carburant fossile qui génère X nombre de kW pour X nombre de kWh, remplacent ainsi X nombre d’humains ou d’esclaves. Le moment c’est le vertige de l’efficacité des carburants fossiles vs les autres formes d’énergie vs la faible puissance d’un humain. À lire.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://giphy.com/gifs/funny-lol-ne3xrYlWtQFtC&quot;&gt;via GIPHY&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>20th Blogiversary</title>
    <link href="https://i.never.nu/20th-blogiversary/"/>
    <updated>2023-03-28T00:00:00Z</updated>
    <id>https://i.never.nu/20th-blogiversary/</id>
    <content type="html">&lt;p&gt;Two weeks ago Jason &lt;a href=&quot;https://www.thejaymo.net/2023/03/19/286-happy-blogday-14/&quot;&gt;celebrated the 25th anniversary&lt;/a&gt; of his blog. I mentioned it in &lt;em&gt;&lt;a href=&quot;https://sentiers.media/jungle-snooker-ais-high-weirdness+apocalyptic-infrastructures+nothing-unnatural-about-a-computer-no-256/&quot;&gt;Sentiers&lt;/a&gt;&lt;/em&gt; but somehow (well, ok, largely because it’s kind of dead) didn’t consider my own blog and its age until I saw Jay’s &lt;a href=&quot;https://www.thejaymo.net/2023/03/19/286-happy-blogday-14/&quot;&gt;mention of his own blog’s 14th&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Depending how you count, my blog started &lt;a href=&quot;https://i.never.nu/the-nautical-chart/&quot;&gt;January 17th 2003&lt;/a&gt; (it was actually just a link in a “linklog” but now appears as a normal post) or &lt;a href=&quot;https://i.never.nu/social-machines/&quot;&gt;January 26th 2003&lt;/a&gt;. I’d be tempted to put the actual birth on the date of my first appearance at Yulblog which was, if memory serves, in March. Sadly, the site is down, the Wikipedia entry is no more, and I didn’t post about it, so it’s just old school human memory.&lt;/p&gt;
&lt;p&gt;Back then backlinks and link lists were the way you learned about new blogs and/or people writing about you, or you attended a local in person meeting like Yulblog (the oldest and longest running up until 2011, btw). I don’t have the stats but I’m assuming I only started having any kind of remotely significant “profile” when I started going every month. Most of my Montréal friendships and business partnerships emerged, directly or indirectly, from those first years of blogging and Yulblogging.&lt;/p&gt;
&lt;p&gt;So yeah, contrary to the vast majority of people I was linking to back then, this site is still up, the somewhat broken archives are still all up, and I’m still blogging once in a while.&lt;/p&gt;
&lt;p&gt;For the umpteenth time, I’ll try to get back into regular(ish) blogging and I encourage you to do the same or even start one. Long live blogs!&lt;/p&gt;
&lt;p&gt;—&lt;/p&gt;
&lt;p&gt;Écrit en anglais parce que je “linkais” à des anglophones mais oui, longue vie aux blogues aussi!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Seeing both</title>
    <link href="https://i.never.nu/seeing-both/"/>
    <updated>2022-04-26T00:00:00Z</updated>
    <id>https://i.never.nu/seeing-both/</id>
    <content type="html">&lt;p&gt;Over at &lt;em&gt;Sentiers&lt;/em&gt;, I’ve turned some of the different “buckets” of writing into &lt;a href=&quot;https://sentiers.media/blog/1/&quot;&gt;just a blog&lt;/a&gt; and I’ve been writing a bit there, if you want to follow that too. I might include the RSS of it in here so you can get both personal and “professional” together. We’ll see if I have the time.&lt;/p&gt;
&lt;p&gt;For today though, I wanted to share and note for myself the video below, because it puts into words something I’d never (or not much) thought of in this way but definitely feel every day, whether it’s with the world, the climate crisis, my work, or even family. How do you balance and manage to see, feel, and properly grasp both the good and the bad? How do you make sure you see the good so you keep going, without having to hide the bad?&lt;/p&gt;
&lt;figure class=&quot;wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio&quot;&gt;&lt;div class=&quot;wp-block-embed__wrapper&quot;&gt;https://youtu.be/D7MW1omHUdY&lt;/div&gt;&lt;/figure&gt;
&lt;blockquote&gt;
&lt;p&gt;I still see the scars made by hate and ignorance but I also see a lot that are just made by living by love by trying by pushing maybe too hard too fast because of hubris or maybe just because of excitement and joy and hope and community and mutual thriving and fun.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;We are surrounded by aid we are surrounded by joy and surrounded by sorrow …  nothing gets done if there is no room for joy. I know that. Nothing gets done if we only see the harm and nothing gets done if we don’t see the harm so I don’t know which thing to see more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;[I know] that I have to see both and there is a way of doing this where I see one and then the other and then the one and then the other the horror then the beauty then the grief then the joy but that way of doing it doesn’t seem to be helping me get anything done so. Maybe there’s a way to look at the world and see both at the same time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(I pasted from Youtube’s efficient but horribly formatted transcript, forget the missing punctuation!)&lt;/p&gt;
&lt;p&gt;Via &lt;a href=&quot;https://kottke.org/22/04/things-have-gotten-less-clear-as-i-have-gotten-older&quot;&gt;Jason&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Insane</title>
    <link href="https://i.never.nu/insane/"/>
    <updated>2022-02-01T00:00:00Z</updated>
    <id>https://i.never.nu/insane/</id>
    <content type="html">&lt;p&gt;Once in a while, I’ll read an article that makes me take stock (again) and realise how absolutely insane our* civilization (species) is. Today, it’s this article from &lt;em&gt;The Economist&lt;/em&gt;, &lt;a href=&quot;https://www.economist.com/graphic-detail/2022/01/28/if-everyone-were-vegan-only-a-quarter-of-current-farmland-would-be-needed&quot;&gt;If everyone were vegan, only a quarter of current farmland would be needed&lt;/a&gt; (paywalled but you can see the chart below, and it’s nothing new data wise). Now, granted, chances are that we’ll never have a 100% vegan global population but it gives a good idea of the scale.&lt;/p&gt;
&lt;p&gt;Below I’m not going to expand on all the issues, just a quick list off the top of my head, and a couple of posts I’ve written elsewhere. Imagine you’re coming from another planet, you look at what ‘we’re’ doing, compare that to what this planet can sustain, and tell me we don’t look completely barking mad.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;We’re still divided in hundreds of countries with immensely unequal living conditions and access to food, shelter, etc. Even within countries, huge inequalities remain between people, often along gender and racial lines.&lt;/li&gt;
&lt;li&gt;Our cities are built around cars that spew out a gas causing health problems &lt;em&gt;and&lt;/em&gt; causing the planet to warm beyond the best (only) living conditions the species has ever thrived under.&lt;/li&gt;
&lt;li&gt;The vast majority of the materials we use to build roads and shelters &lt;em&gt;also&lt;/em&gt; produce the same gas, pollute in myriad other ways, and we’ve created so much that it has now &lt;a href=&quot;https://www.fabcity-montreal.quebec/the-accumulation-of-human-made-mass-on-earth&quot;&gt;exceeded the weight of &lt;strong&gt;all global living biomass&lt;/strong&gt;&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Plastic is produced, and disposed off, at a rate choking our rivers and oceans. Micro-plastics are now in our bodies from birth, because they are so prevalent around everything we accumulate around us.&lt;/li&gt;
&lt;li&gt;As mentioned at the start, three quarters of the land we use for agriculture is spent on raising animals in factories and kill to eat (minus the part we torture for the mothers’ milk). In the process we decimate ecosystems, pollute rivers, and destroy arable land.&lt;/li&gt;
&lt;li&gt;Not only that, but we then go on and &lt;a href=&quot;https://www.fabcity-montreal.quebec/reducing-the-social-and-environmental-impacts-of-food-waste&quot;&gt;waste a full third of the food we produce&lt;/a&gt; (40% in the US).&lt;/li&gt;
&lt;li&gt;Most societies on the planet are addicted to consumerism, buying and replacing ‘stuff’ at historically unprecedented rates, destroying and polluting evermore ecosystems.&lt;/li&gt;
&lt;li&gt;Planet-wide, we have been struggling with a virus that we might be able to stop but some individuals keep thinking only of themselves and, more importantly, we are letting companies make billions of dollars in profit instead of spreading the vaccines far and wide around the globe.&lt;/li&gt;
&lt;li&gt;‘We’ are addicted to ‘productivity,’ convenience, too often blind to what’s going on, barely lifting a finger, by and large making little effort to change things. Those who have the privilege of voting often don’t, too many of those who do choose a short-term feeling of security over long-term viability and equality.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The list could go on, and yes, I could also come up with a list of positives, &lt;em&gt;Future Crunch&lt;/em&gt; &lt;a href=&quot;https://futurecrunch.com/goodnews/&quot;&gt;share a lot of good news&lt;/a&gt;, it’s there. But that doesn’t make any of the above less true. We might get out of the current predicament, we can do better, we are doing better in some cases and places, but really, can you honestly tell me that looking at us right now as a species, we don’t look absolutely insane?&lt;/p&gt;
&lt;figure class=&quot;wp-block-image size-large&quot;&gt;&lt;a href=&quot;https://i.never.nu/uploads/2022/02/Pasted-image-20220201085235.png&quot;&gt;&lt;img src=&quot;https://i.never.nu/uploads/2022/02/Pasted-image-20220201085235-543x1024.png&quot; alt=&quot;&quot; class=&quot;wp-image-10656&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;
&lt;p&gt;* Obviously, ‘our’ and ‘we’ are not great here, considering inequalities at various levels, but let’s use them to mean the human race, in general.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ceci n&#39;est pas une weeknote</title>
    <link href="https://i.never.nu/ceci-nest-pas-une-weeknote/"/>
    <updated>2021-08-19T00:00:00Z</updated>
    <id>https://i.never.nu/ceci-nest-pas-une-weeknote/</id>
    <content type="html">&lt;p&gt;After a very quiet summer, suddenly a few excellent meetings / opportunities this week, and a couple of fun calls. It’s not often that that happens or that I spend so much time productively on Zoom, so a very irregular (as in, almost never) weeknote to keep a small trace of the moment(s).&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Excellent meeting related to curation.&lt;/li&gt;
&lt;li&gt;Very fun &lt;a href=&quot;https://www.generalseminar.com/general-seminar-no-6&quot;&gt;General Seminar&lt;/a&gt; on AR but more importantly a two hour conversation with smart people.&lt;/li&gt;
&lt;li&gt;Excellent first meeting for project BROWN.&lt;/li&gt;
&lt;li&gt;Another fun conversation, this time with &lt;a href=&quot;https://theinformed.life/episodes/&quot;&gt;Jorge for his podcast&lt;/a&gt;. (The man seems to be very well organized, because he’s got a bunch of other interviews in the can, I’ll only be up in a couple of months.)&lt;/li&gt;
&lt;li&gt;In person coffee (!!) for a specific topic that I’ll keep to myself, but that &lt;em&gt;might&lt;/em&gt; end up with echos of the &lt;a href=&quot;https://sentiers.media/diy-research-studio/&quot;&gt;Research Studio&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Depending on what pans out for the work related ones, I could be in a pretty different work “geometry” before the end of the year. Exciting!&lt;/p&gt;
&lt;p&gt;(In the mean time though, keep the &lt;a href=&quot;https://calendly.com/sentiers/45min?back=1&amp;amp;month=2021-08&quot;&gt;inquiries and meetings coming&lt;/a&gt;, I still have 2-3 days availability for &lt;a href=&quot;https://sentiers.media/work/&quot;&gt;work&lt;/a&gt; starting… now basically.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Twenty-twenty</title>
    <link href="https://i.never.nu/twenty-twenty/"/>
    <updated>2021-03-08T00:00:00Z</updated>
    <id>https://i.never.nu/twenty-twenty/</id>
    <content type="html">&lt;p&gt;Yesterday a friend mentioned he was kind of disappointed at the level of “pandemic anniversary” articles he was seeing and asked what we take away from that year. I’m not sure my reckon written as a stream of consciousness will be any more useful, but here goes.&lt;/p&gt;
&lt;p&gt;TL;DR: I think the year, and here I include the pandemic, Black Lives Matter &lt;em&gt;and&lt;/em&gt; ever-clearer signs of the climate crisis, amplified fractures and made them more visible. Some people will have noticed actively, some will have perceived them without specifically understanding, and it’s too early to tell if that changes anything.&lt;/p&gt;
&lt;p&gt;First, fractures of inequality in all its forms. Racism, sexism, money, hemispheres, generations, species. All of these were, in one way or another, made more evident during 2020. A lot more people finally realized the extent of the systemic disadvantages of BIPOC people; women took and were given overwhelmingly more pressure than men; essential workers became known as such but not valued accordingly on their pay checks and resources; the one percent were seen as inessential but got trillions of bailouts; the north kept at its insufficient promises while the south kept feeling the brunt of the climate crisis; the living adults kept extracting from their children and unborn generations; humanity kept destroying other species.&lt;/p&gt;
&lt;p&gt;Nothing new in any of this but all of them more visible. Some of those sensible to each divide might be stronger in their will, but has the majority opinion changed? To be continued, as they say.&lt;/p&gt;
&lt;p&gt;Another divide is the individualistic one. By which people often mean that for many it’s “me, myself, and I.” For my part, and I think for many more after 2020, it’s now understood as something deeper. The focus on the individual participates in our forgetting how important and collectively-built our social and material infrastructures are, which we see in the under-financing and lack of trust in our institutions (plus, you know, neoliberalism policies, and endless influence and lobbying by the rich). It also means people focus on liberties for themselves but rarely on &lt;em&gt;responsibility&lt;/em&gt; towards others. And finally it means that even those who, initially, agree with collective policies like restrictions and masks, will easily ignore them when they think they know better, or deserve a break. It means “well yes, but I” quickly takes precedence on “yes, that rule makes sense.”&lt;/p&gt;
&lt;p&gt;Another understanding that has shifted in the past year is in what’s possible. Through the discourse of our political “leaders,” many economists, and well, most people, thought that the economy can’t be stopped, that all of this activity and consumption is a great unstoppable mass, that any policy needs to be slow and incremental for anything to change. And then, bam!, we realize that there &lt;em&gt;are&lt;/em&gt; breaks that can be used to stop things quickly when there is the will to do so. We can close things, stop planes, find money, set things up relatively quickly. Yes, there are missing gaps, yes some things still take too long, yes stress fractures appear in some places, but it can stop. Massive change can happen quickly.&lt;/p&gt;
&lt;p&gt;All of these things flow into a loose interpretation of the &lt;a href=&quot;https://en.m.wikipedia.org/wiki/Overton_window&quot;&gt;Overton window&lt;/a&gt;. “The range of policies politically acceptable to the mainstream population at a given time.” Many, many, many more people now better understand the inequalities of their society, see more clearly some of the fictive constructs of the economy, see their neighbours / countrymen and women / humans on this planet differently (for better or worse).&lt;/p&gt;
&lt;p&gt;I’d like to think this new understanding will shift towards more mutualism, towards being better neighbours, and better ancestors. But we don’t know yet. I see the problems with enacting, executing, and accepting pandemic measures and think we must do better, but will more people realize we are “all in this together” or will those bucking the restrictions sway further towards their “liberties”? We’ve got elections coming within a year in Montréal, then Canada, and then in Québec later on. Will votes and dreams sway towards the collective solutions we need to face these challenges and reinforce our society? Or towards anger and more a brittle society where each can (wrongly) feel they must concentrate on living and protecting their own lives, and everyone else be damned?&lt;/p&gt;
&lt;p&gt;In the end that’s my takeaway from 2020; more clarity on the fractures in society and problems in our infrastructures. In Québec that’s seeing the brittleness of our health system, elsewhere it might be something else. Will this clarity sway public opinion one way or the other? Will it reinforce beliefs, and things don’t move? Depends if I wake up realist-pessimist or in an hopeful mindset.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Adding something of value and longevity to ‘culture’</title>
    <link href="https://i.never.nu/adding-something-of-value-and-longevity-to-culture/"/>
    <updated>2020-12-21T00:00:00Z</updated>
    <id>https://i.never.nu/adding-something-of-value-and-longevity-to-culture/</id>
    <content type="html">&lt;p&gt;Nice way of framing what many indie publishers feel but don’t necessarily put into words.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The print world serves as a kind of refuge from that feeding frenzy. In a field where success usually means ‘breaking even’, I think what motivates print publishers most is the belief that they have something meaningful to contribute to their chosen niche. It sounds corny, but adding something of value and longevity to this thing we call ‘culture’ is a major driving force behind so many indie books and magazines you see in your local bookstore. The friction inherent in creating physical goods and – for better or worse – the low expectation of financial reward breed a certain conviction to the cause that feels refreshingly genuine.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;em&gt;&lt;a href=&quot;https://www.densediscovery.com/issues/117&quot;&gt;Dense Discovery – Archive&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gerry Anderson&#39;s UFO</title>
    <link href="https://i.never.nu/gerry-andersons-ufo/"/>
    <updated>2020-11-23T00:00:00Z</updated>
    <id>https://i.never.nu/gerry-andersons-ufo/</id>
    <content type="html">&lt;p&gt;Realizing I’d completely forgotten about this series!!&lt;/p&gt;
&lt;figure class=&quot;wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio&quot;&gt;&lt;div class=&quot;wp-block-embed__wrapper&quot;&gt;https://www.youtube.com/watch?v=j2PoXfZdYVU&amp;amp;feature=emb_title&lt;/div&gt;&lt;/figure&gt;
</content>
  </entry>
  
  <entry>
    <title>Obligations</title>
    <link href="https://i.never.nu/obligations/"/>
    <updated>2020-10-23T00:00:00Z</updated>
    <id>https://i.never.nu/obligations/</id>
    <content type="html">&lt;p&gt;&lt;em&gt;Love&lt;/em&gt; this quote! Mostly noted for the future generations and planet bits but it’s also a great way to look at the current pandemic and mask wearing. We have an obligation to others to wear masks &lt;em&gt;to protect them&lt;/em&gt;. Even with all we know, too many people still see it as whether they feel they need to protect themselves. That’s not the point!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The single biggest thing I learned was from an indigenous elder of Cherokee descent, Stan Rushworth, who reminded me of the difference between a Western settler mindset of “I have rights” and an indigenous mindset of “I have obligations.” Instead of thinking that I am born with rights, I choose to think that I am born with obligations to serve past, present, and future generations, and the planet herself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;em&gt;&lt;a href=&quot;https://www.lionsroar.com/the-end-of-ice/&quot;&gt;The End of Ice - Lion’s Roar&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Consensus, legitimate controversy, and deviance</title>
    <link href="https://i.never.nu/consensus-legitimate-controversy-and-deviance/"/>
    <updated>2020-09-22T00:00:00Z</updated>
    <id>https://i.never.nu/consensus-legitimate-controversy-and-deviance/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Hallin’s spheres is a theory of media objectivity posited by journalism historian Daniel C. Hallin in his book The Uncensored War to explain the coverage of the Vietnam war. Hallin divides the world of political discourse into three concentric spheres: consensus, legitimate controversy, and deviance. In the sphere of consensus, journalists assume everyone agrees. The sphere of legitimate controversy includes the standard political debates, and journalists are expected to remain neutral. The sphere of deviance falls outside the bounds of legitimate debate, and journalists can ignore it. These boundaries shift, as public opinion shifts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Source: &lt;em&gt;&lt;a href=&quot;https://thoughtshrapnel.com/2020/09/17/hallins-spheres/?utm_source=mailpoet&amp;amp;utm_medium=email&amp;amp;utm_campaign=thought-shrapnel-weekly-397&quot;&gt;Consensus, legitimate controversy, and deviance – Doug Belshaw’s Thought Shrapnel&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>Editing GPT-3</title>
    <link href="https://i.never.nu/editing-gpt-3/"/>
    <updated>2020-09-11T00:00:00Z</updated>
    <id>https://i.never.nu/editing-gpt-3/</id>
    <content type="html">&lt;p&gt;&lt;a href=&quot;https://www.theguardian.com/commentisfree/2020/sep/08/robot-wrote-this-article-gpt-3&quot;&gt;This Guardian piece&lt;/a&gt; has been making the rounds, they title it like it’s written by a “robot” by itself but it’s actually eight different “essays” edited together. Austin Kleon has an excellent take on it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“We chose instead to pick the best parts of each… We cut lines and paragraphs, and rearranged the order of them in some places.” Honey, that means a &lt;em&gt;human&lt;/em&gt; wrote this piece. Writing &lt;em&gt;is&lt;/em&gt; editing. It is about making choices. So you fed a robot a prompt, got eight different “essays,” and stitched together the best parts to make a piece of writing? Congratulations, human! You’ve just outsourced the easiest parts of writing and kept the hardest parts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://austinkleon.com/2020/09/10/artificial-intelligence/&quot;&gt;https://austinkleon.com/2020/09/10/artificial-intelligence/&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— &lt;em&gt;This post is Day 7 of my&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://robert.winter.ink/tag:100DaysToOffload&quot;&gt;#100DaysToOffload&lt;/a&gt;&lt;/em&gt; &lt;em&gt;challenge. Want to get involved? Find out more at&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;100daystooffload.&lt;/a&gt;&lt;/em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;com&lt;/a&gt;&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>Sloan&#39;s Orthographic media</title>
    <link href="https://i.never.nu/sloans-orthographic-media/"/>
    <updated>2020-08-31T00:00:00Z</updated>
    <id>https://i.never.nu/sloans-orthographic-media/</id>
    <content type="html">&lt;p&gt;Very interesting thought by Robin Sloan, on what he calls &lt;a href=&quot;https://www.robinsloan.com/notes/orthographic/&quot;&gt;orthographic media&lt;/a&gt;. Here’s the &lt;a href=&quot;https://en.m.wikipedia.org/wiki/Orthographic_projection&quot;&gt;Wikipedia definition of orthographic projection&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Orthographic projection is a means of representing three-dimensional objects in two dimensions. It is a form of parallel projection, in which all the projection lines are orthogonal to the projection plane, resulting in every plane of the scene appearing in affine transformation on the viewing surface.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In other words, objects are not scaled for distance in a three dimensional scene. Robin’s insight is that perhaps social media is kind of the same way; we don’t know how far / important each event is.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Browsing Twitter the other day, I once again found myself sucked into a far-off event that truly does not matter, and it occurred to me that &lt;em&gt;social media is an orthographic camera&lt;/em&gt;. Imagine those colorful cubes in the orthographic projection above as tweets: all the same size, taking up the same amount of space on the canvas, even though some are way off in the distance while others brush the virtual camera’s lens. Maybe this is a flavor of &lt;a href=&quot;http://www.zephoria.org/thoughts/archives/2013/12/08/coining-context-collapse.html&quot;&gt;context collapse&lt;/a&gt;: the standardization of all events, no matter how big or small, delightful or traumatic, to fit the same mashed-together timeline.&lt;/p&gt;
&lt;p&gt;@robinsloan &lt;a href=&quot;https://www.robinsloan.com/notes/orthographic/&quot;&gt;https://www.robinsloan.com/notes/orthographic/&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which I find is a very interesting way of thinking about what we see in our feeds. Quoted here for later reference but also because it reminded me of this by Doug Belshaw. https://twitter.com/dajbelshaw/status/1299293497602736128 Checkout the short video where he shows the links from his feed using Nuzzel and realizes that he doesn’t care all that much about what’s there. I partially agree with him, for example my healthcare feeds (for a client) are completely “polluted” by COVID, including many who are definitely not bringing any value and just looking for clicks. However, I do work on my Twitter lists quite a bit, and my main list is full of useful and interesting things. I never look at the main feed (everyone I follow) on Twitter or through Nuzzel but it probably looks like Doug’s. To attach this to the orthographic media above:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Within this analogy, I could say I’m looking at a specific depth of field with each list, making it easier to parse through, nothing too far out of focus in either direction.&lt;/li&gt;
&lt;li&gt;I wonder what a non-orthographic feed would look like, adding “perspective” / weight according to your interests but also to the distance from you. Local news but where the local point of view is not my physical location but my topical and relational “location.”&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;To stray even further, this makes me think of an article I included in Sunday’s &lt;em&gt;Sentiers&lt;/em&gt;, concerning a piece by Drew Austin, &lt;a href=&quot;https://kneelingbus.substack.com/p/the-cloud-and-the-countryside&quot;&gt;The cloud and the countryside&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;the growing separation between “people from anywhere” and “people from somewhere,” essential workers and all place-dependant work. The “Zoom class” and its “‘Zoom city’ currently being layered onto existing settlements.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://sentiers.media/the-cloud-and-the-countryside-pace-layering-the-tyranny-of-chairs-no-139/&quot;&gt;https://sentiers.media/the-cloud-and-the-countryside-pace-layering-the-tyranny-of-chairs-no-139/&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He’s talking about the physical world and how remote work changes where we live but the being anywhere angle fits here too. With orthographic media, we are all from nowhere, with no perspective or distance from all news. Using a non-orthographic view, we could “be from” a specific viewpoint. — &lt;em&gt;This post is Day 6 of my&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://robert.winter.ink/tag:100DaysToOffload&quot;&gt;#100DaysToOffload&lt;/a&gt;&lt;/em&gt; &lt;em&gt;challenge. Want to get involved? Find out more at&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;100daystooffload.&lt;/a&gt;&lt;/em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;com&lt;/a&gt;&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>Year-long digital nomad visas</title>
    <link href="https://i.never.nu/year-long-digital-nomad-visas/"/>
    <updated>2020-08-12T00:00:00Z</updated>
    <id>https://i.never.nu/year-long-digital-nomad-visas/</id>
    <content type="html">&lt;p&gt;Interesting mini-trend with a couple of countries offering new year-long “digital nomad” visas.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Digital nomads and remote workers have long faced ambiguity when working while they travel, often skirting the law by working while visiting a country with a tourist visa. While other countries like Costa Rica, Mexico, Portugal and the Czech Republic have introduced visas for digital nomads, so far these have primarily targeted freelancers.&lt;/p&gt;
&lt;p&gt;In contrast, the new Estonian Digital Nomad Visa (DNV) covers a broader range of digital nomads — in addition to freelancers, it also allows teleworking from Estonia if the person has a foreign employer or is a partner in a company registered abroad. This is great news for location-independent entrepreneurs around the world as it provides a legitimate way to live and work here for up to a year.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://medium.com/e-residency-blog/estonias-digital-nomad-visa-is-here-540cf6389ba1&quot;&gt;Estonia’s Digital Nomad Visa is here!&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;They only accept people with actual proven revenu as freelancers, company owners, or employees with a contract so it really is a working abroad visa, not a loose visiting one. I don’t see any direct mention of it so I’m not sure how that translates in terms of European travels but it probably means you could spend the bulk of your time in Estonia and use it as your base for multiple short trips across the continent. The second one is much less interesting, to me anyway, but is useful as a second example of a potential new trend.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The government of Barbados has announced that it could soon be introducing the 12-month “Barbados Welcome Stamp” to allow visitors the option to work remotely from the island for a year at a time. [Editor’s note: &lt;a href=&quot;https://www.barbadoswelcomestamp.bb/&quot;&gt;applications&lt;/a&gt; opened on July 24 and the stamp costs US$2,000 per person or US$3,000 for families.] The visa would allow people “to come and work from here overseas, digitally so, so that persons don’t need to remain in the countries in which they are”, said Prime Minister Mia Amor Mottley. “You can come here and work for a couple months at a time; go back and come back,” she said. The idea is based on the fact that the pandemic has shown that short-term travel is more difficult because of the requirements for rapid Covid-19 testing, which are not reliably available yet, and the fear people feel getting ill abroad.&lt;/p&gt;
&lt;p&gt;@globetrender &lt;a href=&quot;https://globetrender.com/2020/07/16/barbados-one-year-work-visa-digital-nomads/&quot;&gt;Barbados unveils one-year working holiday visas for digital nomads&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This one is interesting because, where Estonia’s is a logical evolution of their e-Residency program, Barbados’ is an answer to travel restrictions related to COVID-19 and the sudden need for a different base of operations that some are feeling now. Looking forward to who offers some other variation next. Thailand? Iceland? Greece? — &lt;em&gt;This post is Day 5 of my&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://robert.winter.ink/tag:100DaysToOffload&quot;&gt;#100DaysToOffload&lt;/a&gt;&lt;/em&gt; &lt;em&gt;challenge. Want to get involved? Find out more at&lt;/em&gt; &lt;em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;100daystooffload.&lt;/a&gt;&lt;/em&gt;&lt;a href=&quot;https://100daystooffload.com/&quot;&gt;com&lt;/a&gt;&lt;/p&gt;
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